| The Crucible, Penguin Books |
It would seem that, in the Crucible
by Arthur Miller, women having power is painted as a positive and negative idea.
Looking through the lens of Feminist Criticism, it would certainly seem that
way. In the Salem Witch Trials of 1692, women were silently given unheard
amounts of power, with their ability to cast judgments upon other women and men
of Salem as being witches and wizards from a hellish realm. Not much evidence
was required of these people to prove otherwise – so long as they were
condemned a witch, for all that the courts knew, they were a witch. However,
with Feminist Criticism in mind, was all this power given to these young girls
simply a re-telling of a true story, or a larger comment on the negative effects
of women holding power? One can’t assume the feminist point that Arthur Miller
might have been making, but from an objective view, there were good things and
bad things about women having power in the Crucible.
The
one key, crucial question that is ultimately asked is: how is the relationship
between men and women portrayed? The relationship between Elizabeth and John
Proctor is the best answer to this question. Elizabeth Proctor is not secure
with her relationship with John, seeing as he had this extensive affair with
their previous hand-girl, Abigail Williams. She is portrayed as bitter and upset,
constantly reminding John of how hurt she was about him cheating on her. It is
very easy for John and Elizabeth to start fighting. John always retorts that
Elizabeth can never let go of what he did wrong, and how she holds grudges very
fiercely despite her religious demeanor. Elizabeth replies that John hasn't dealt with Abigail in its entirety, as she still finds her glancing at John at
church and other events.
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| Elizabeth Proctor in Hytner's The Crucibile |
This picture of a disjointed couple
is a picture Arthur Miller portrayed excellently, but what does it speak to in
terms of a Feminist Critic? It would appear that Elizabeth has a healthy amount
of power. She has feelings about the affair John had, and righteously expresses
her distrust and disappointment in him. While passive, Elizabeth holds John’s
mistake over his head in a way that puts her in a powerful relationship
position. While maybe not entirely
healthy for the relationship itself, she portrays power over his husband in justified
situations. It’s when Elizabeth and John are in front of other townspeople that
they revert back to the typical husband/wife stereotype. As soon as any other
character is introduced within the Proctor’s household, Elizabeth returns to
her wifely duties, staying very quiet and observing the men talk.
In this way, Elizabeth technically
loses power over her husband. As the figurehead of the family, John is in
charge of speaking on her behalf when she is mentioned. She is no longer in
power, but submissive to him. However, the point could be made that she has not
lost any power at all, since the situation has changed. When John and Elizabeth
are in an intimate setting, she has control. When another person is involved
that assumes society’s view on how a husband/wife relationship should work, she assumes the position of
the stereotypical wife. That doesn't necessarily mean that she loses power. This
just means that she suppresses her power for the sake of image and holds her
power privately, but not publicly.
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| Abigail Williams in Hytner's The Crucible |
Alternatively however, there is an
instance where women have public power as opposed to private power. This
instance is seen in Abigail Williams, the instigator for the Salem Witch Trials.
The story begins with the mention of her affair with John, and through that affair,
she seeks to rid Salem of Elizabeth so that she can be reunited with her lover.
The snowball effects of her accusations, however, avert her attention from her
original goal of achieving John. She goes from trying to rid Elizabeth to being
consumed with the power she has over the town in accusing whomever she doesn't like. With just a cry from Abigail, people are sent to jail. Such power in
Abigail’s hands was enormous, but was it the type of power that a Feminist
Critic would encourage? No.
The type of power that Abigail has
is enough to conquer a town, but isn't portrayed in the type of light that is
ideal. In fact, Abigail is portrayed very negatively, in that she inadvertently
sentences people to death through her fake portrayals of possession. This wouldn't be the type of power that a Feminist Critic would encourage. In the
Crucible, ultimately, it seems the roles of power have a double standard. Females
given power privately is a positive thing, giving Elizabeth a voice within her
relationship with John. Publicly, however, women having power is a negative
thing, as Abigail’s power sentences people to death through accusations of
witchcraft.
So what does this say to the question
as a whole? Women’s relationship with men in the Crucible has a duality to it
that changes depending on the situation. The line of power is blurred – what is
correct or incorrect power, when given the two icons of it: Abigail and
Elizabeth? Both are very different people given very different situations, but
both speak to how women are treated as a whole in the book. In the end, the
Crucible is a complicated piece of literature that is harder to understand when
one realizes that the Salem Witch Trials actually happened, and people were
intentionally sent to their death through such a feeble accusation as ‘witchcraft’.
The power that women has over men in the Crucible, however, is one that is
ultimately left up to opinion.


bean
ReplyDeleteThank you for your feminist critique of The Crucible, and how female power is exerted privately but goes askew publicly in the play. Also noticing how the (only?) noble character is male protagonist, John Proctor, a flawed character who ends up as hero (albeit hanged) for doing the Right Thing.
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